From epic landscapes to urban street scenes: the best Canon kit for travel photography

Which are the best cameras and lenses for travel photography? Three professional photographers share the gear they've used on their adventures.
A flat lay photograph of the Canon EOS R8 Mark II with 15-30mm, 24-105 and 100-400mm Canon RF lenses positioned on a map.

German professional photographer Frauke Hameister, who goes under the name Frauki on social media, used the "nice and light", travel-friendly, full-frame Canon EOS R8 Mark II on a shoot in Norway. As she's always shot on Canon, it took her no time at all to get used to the camera. "I really love the feel, the sound, the interface of Canon," she says. "I don't feel like I have some piece of tech in my hands – I don't think of it as a camera anymore. It feels like an extension of my hands."

The temptation might be to pack everything, but when it comes to choosing the right cameras and lenses for travel photography, you have to be a little selective. Space and weight are always at a premium, but with the ever-growing Canon EOS R System, you get more versatility than ever before.

Thanks to their intuitive handling and compact size, Canon EOS R System cameras are a natural choice for the travel photographer. Add Canon's growing range of outstanding RF lenses to the mix, both zoom and prime, and you've got an incredibly capable camera setup.

But the question is, which are the best Canon cameras and lenses for travel photography? Here, we delve into the kit bags of adventure photographers Ulla Lohmann, Frauke Hameister and Martin Bissig, who explain what features of their kit are essential to them when they're exploring. We also talk to John Maurice, European Product Marketing Manager at Canon Europe, who provides expert insight.

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Two fishermen haul in their net on a small wooden boat, with the island of Stromboli and its volcano in the background, captured on a Canon EOS R5 Mark II camera.

The EOS R5 Mark II was Ulla's main camera while filming a Red Bull documentary on Europe's most active volcanoes – including Stromboli, which can be seen behind these fishermen. Taken on a Canon EOS R5 Mark II with a Canon RF 28-70mm F2 L USM lens at 28mm, 1/500 sec, f/14 and ISO 200. © Ulla Lohmann

Best professional mirrorless camera for travel: Canon EOS R5 Mark II

You might not be able to pack everything for a trip, but you can still pack everything you'll need. The Canon EOS R5 Mark II is an all-round powerhouse of a camera for travel assignments. Versatile, fast and accurate, it sets new standards for performance and image quality.

It's the combination of 45MP stills at up to 30fps and up to 8K 60p RAW video recording – and the capability to move seamlessly between them – that makes the EOS R5 Mark II such a standout travel camera for professionals. Canon Ambassador Ulla Lohman says that both sides of the camera help her capture her stories. "If I am interviewing people on-camera, they open up and then I can take better photographs. Or if I photographed them before, then they get used to the camera and I can get a better filmed interview."

A robust yet lightweight magnesium alloy chassis, together with extensive weather-resistant seals to protect the camera from moisture and dust, makes this a mirrorless camera that's ready to take on adventures in harsh environments. Ulla used the camera on a volcano documentary for Red Bull, and explains that at one point while filming on a recent lava flow, it was still hot beneath the surface – "so hot that the tripod started melting from below – but the camera kept performing."

Dual Pixel Intelligent AF can maintain focus on your subject, even if it's briefly obscured from view, while an 8.5-stop1 Image Stabilizer gives you the freedom to shoot handheld while you travel. The high-resolution stacked sensor lets you choose from the widest range of RF lenses too – including the RF 7-14mm F2.8-3.5L FISHEYE STM for 190° circular fisheye images and the RF 5.2mm F2.8L DUAL FISHEYE lens for creating 180° VR content that lets your audience experience a destination in an immersive way.

If you need a lightweight second camera for travel photography, both the Canon EOS R8 Mark II and the EOS R10 are excellent options. They are both highly capable travel cameras in their own right, with the EOS R8 Mark II's full-frame sensor, Image Stabilizer, low-light performance and advanced features making it an especially strong complement to the EOS R5 Mark II.

The Canon EOS R5 Mark II camera.

Canon EOS R5 Mark II

A professional 45MP hybrid camera that delivers exceptional image quality and versatility.
A Norwegian landscape, showing a body of water being spotlit by a beam of sunlight through the clouds, captured on a Canon EOS R8 Mark II camera.

The Canon EOS R8 Mark II's lightweight design and powerful image stabilisation make it a practical camera for travelling without a tripod and shooting handheld. Taken on a Canon EOS R8 Mark II with a Canon RF 85mm F2 MACRO IS STM lens at 1/1000 sec, f/5 and ISO 100. © Frauke Hameister

A woman sits at a table in a café in Norway, looking through a brightly lit window. Photographed on a full-frame Canon EOS R8 Mark II.

From expansive landscapes to atmospheric interiors, the EOS R8 Mark II's full-frame sensor and lightweight design make it a versatile travel companion without compromising on image quality. It offers a naturally wider field of view and a greater dynamic range, helping retain detail from bright window light to pockets of shadow. Taken on a Canon EOS R8 Mark II with a Canon RF 45mm F1.2 STM lens at 1/1250 sec, f/4 and ISO 1,000. © Frauke Hameister

Best full-frame mirrorless camera for travel: Canon EOS R8 Mark II

With a 24.2MP full-frame CMOS sensor in a remarkably compact and lightweight body, supported by up to 7.5-stops2 of image stabilisation, intelligent subject detection and high-speed shooting up to 40fps, the Canon EOS R8 Mark II is a travel camera that lets you explore your creativity – whether you're on a city break or a wilderness adventure.

"I think the EOS R8 Mark II would be great for people who are getting serious about the craft of photography and want to step up a level without investing in a professional camera," Frauki says. She adds that compared to the EOS R5 Mark II that she usually shoots with, the EOS R8 Mark II "feels a lot smaller and lighter", which is a benefit when you have to carry everything you need to survive on an adventure in the great outdoors as well as your camera equipment. "Before, I had to try to keep my camping gear really light so that I could pack a bit more tech into my backpack," she says. "I think with this camera, it will make that decision a lot easier."

The body is a similar size to an APS-C DSLR, making it easy to carry it with you wherever you go, while still offering the step up to full-frame quality. It's packed with features that have trickled down from advanced cameras like the EOS R6 Mark III, including more intelligent automation like Register People Priority, which lets you register up to 10 individuals on the camera and a further 100 people on a memory card for the autofocus to prioritise in a scene. Register your travel companions, for example, and the camera will automatically detect and track them as you move around a busy market, city square or bustling street. You can even add your own face, helping to keep yourself in focus when taking selfies or vlogging on the move.

It’s a camera that helps preserve those once-in-a-lifetime holiday memories, thanks to Pre-Continuous Shooting, which starts capturing images half a second before you fully press the shutter button. Shoot at 40ps, and you'll have around 20 additional individual RAW files to choose from, helping you capture the perfect moment in unpredictable situations – such as a whale breaching or a cook flambéing a dish at a street-food stall.

Convenient connectivity also provides peace of mind when you're away from home. You can power the camera or charge it via USB, while fast, reliable Wi-Fi and Bluetooth let you control it remotely – ideal for capturing selfie-style shots as you explore. You can also share your content wirelessly, with automatic cloud backup via image.canon keeping your favourite moments safe and accessible wherever you are.

The Canon EOS R8 Mark II camera.

Canon EOS R8 Mark II

A compact, lightweight full-frame camera that's made to explore.
Photographer Martin Bissig holds a Canon EOS R10 camera as he leans out from the side of a train in Sri Lanka.

Professional photographer Martin Bissig used the Canon EOS R10 on a trip to Sri Lanka, where the camera's combination of compact design and responsive performance allowed him to work in a different way.

Best APS-C mirrorless camera for travel: Canon EOS R10

When you want to travel even lighter, a compact APS-C mirrorless camera is ideal. With a feature set inspired by more advanced EOS cameras, the 24.2MP Canon EOS R10 offers a brilliant blend of performance and portability.

Pro photographer and Canon Ambassador Martin Bissig used an EOS R10 on a month-long trip to Sri Lanka, where the camera's discreet size and versatility helped him take shots he might otherwise have missed. "I captured a lot of moments on the EOS R10 that I wouldn't have caught on my bigger cameras, because I just wouldn't have taken them out with me," he says.

The EOS R10 weighs just 429g with a card and battery but carries a wealth of features you might expect to see in a professional camera twice its size. Intelligent autofocus with deep-learning AI can tell if you're photographing people, animals or vehicles, for example, and track the subject around the frame according to the priority you've set. Eye Detection AF brings added precision when you're photographing portraits. Dual Pixel RAW technology lets you micro-adjust sharpness and bokeh when you process your images.

There are plenty of creative tools to try as well – such as Panoramic mode for epic views, and 4K or Full HD time-lapse movie recording that's ideal for showing familiar destinations in a new way.

If you're photographing wild animals or other subjects on your travels that you can't get physically close to, then the greater reach provided by an APS-C sensor can be an advantage. Pair the EOS R10 with an RF-S zoom lens, and you have a lightweight travel setup that lets you react quickly.

"If you want to take photography seriously, using a more compact camera such as the EOS R10, rather than a smartphone, makes a huge difference," Martin says.

The Canon EOS R10 camera.

Canon EOS R10

A powerful APS-C camera with intelligent autofocus and superb image quality.
The Canon RF 100-400mm F5.6-8 IS USM being attached to the Canon EOS R8 Mark II, with the camera's full-frame sensor visible.

RF and RF-S lenses can be used across all EOS R System cameras including full-frame cameras like the EOS R8 Mark II, shown above, and APS-C models, giving you more flexibility when choosing lenses for your travels. Below, we look at some of the best travel lenses for Canon cameras, helping you choose the right lens for your next trip.

Best wide-angle zoom lens for travel: Canon RF 15-35mm F2.8L IS USM

Canon's ultra-wide RF zoom is an impressive lens that opens up a range of creative possibilities. "It's incredibly sharp," says UIla. "It is just the right lens to use for travel photography when capturing landscapes."

"The RF 15-35mm F2.8L IS USM is well-suited to vast landscapes or interiors," adds John. "If you want to capture the magnificence of buildings at close range, for example, you want an ultra-wide lens such as this one."

When you need to go wider, the RF 10-20mm F4L IS STM is a great choice for travel photography focused on landscapes, architecture and interiors, while the RF 7-14mm F2.8-3.5L FISHEYE STM mounted on a full-frame camera gives you a professional-quality 190° circular or 180° full-frame fisheye image.

If you want to travel light, there are more compact zooms that still give you ultra-wide impact. Consider the RF 14-35mm F4L IS USM, for example, or the fast RF 16-28mm F2.8 IS STM. The RF-S 10-18mm F4.5-6.3 IS STM for APS-C cameras like the EOS R10 gives the full-frame equivalent view of approximately 16-29mm. Non-L-series wide-angle lenses can be designed with digital lens corrections in mind, helping to deliver excellent image quality in a smaller, more travel-friendly package.

John agrees that it's a stunning lens for portraiture. "When you're travelling, you're also interested in where you are, so it enables you to add a bit of context. Together with the nice depth of field control, it's going to help you capture amazing environmental portraiture."

The Canon RF 15-35mm F2.8L IS USM lens.

Canon RF 15-35mm F2.8L IS USM

This exceptional ultra-wide zoom lens is perfect for shooting in tight spaces, delivering dynamic angles and stunning performance.

If you want a more compact version of this aspirational lens, the Canon RF 50mm F1.8 STM is a lighter weight, more affordable option and an excellent choice if you want to carry a compact and light lens that's also very high quality. The 50mm focal length offers a similar perspective to human vision, so your shots will appear very natural. The wider aperture will also allow you to be more artistic and blur busy backgrounds – which can be useful in crowded locations, such as a market place or street.

A pin-sharp close-up of a small stone on a larger rock.

Ulla uses the Canon RF 50mm F1.2L USM lens when she wants both herself and her subject to stand out from the crowd. "It's a really, really cool lens," she says. "It really allows you to put the focus on specific things." Taken on a Canon EOS R6 at 50mm, 1/320 sec, f/1.2 and ISO100. © Ulla Lohmann

Best professional prime lens for travel: Canon RF 50mm F1.2L USM

"I'm always looking to stand out from other photographers, and this lens helps me do just that," enthuses Ulla. "It's a fairly heavy lens, so it's not necessarily the everyday lens you put in your camera bag, but the weight is worth it for the image quality it delivers."

Travel photographers will want to pack this lens if they want that extra bit of quality, especially if they're shooting people or working in poor light. "It has this really beautiful bokeh. It's hard to describe as you don't see it very often – but it's kind of a unique bokeh effect," continues Ulla.

John agrees that it's a stunning lens for portraiture. "When you're travelling, you're also interested in where you are, so it enables you to add a bit of context. Together with the nice depth of field control, it's going to help you capture amazing environmental portraiture."

The Canon RF 50mm F1.2L USM.

Canon RF 50mm F1.2L USM

A high-performance professional L-series lens perfect for low-light and extreme depth of field control.
A landscape in Norway, photographed using a large aperture to make the foreground flowers stand out from the blurred background.

The RF 45mm F1.2 STM is one of Canon's fastest lenses, giving creative control over depth of field, yet it weighs less than 400g. This makes it a relatively lightweight addition to a travel photography kit. Taken on a Canon EOS R8 Mark II with a Canon RF 45mm F1.2 STM lens at 1/400 sec, f/4 and ISO 100. © Frauke Hameister

Best lightweight prime lens for travel: Canon RF 45mm F1.2 STM

The Canon RF 45mm F1.2 STM is a more affordable alternative to the RF 50mm F1.2L USM and, at less than half the weight of the L-series prime, is easy to carry on long travel shoots. It offers a slightly wider view with an ultra-fast maximum aperture for creative control over depth of field, making it an excellent choice for low-light photography, street photography and environmental portraits.

Another compact, high-quality option is the Canon RF 50mm F1.8 STM. Its 50mm focal length offers a natural perspective, while the wide f/1.8 aperture makes it easy to create a blurred background. This can be especially useful when shooting in crowded places, such as markets and city streets.

The Canon RF 45mm F1.2 STM.

Canon RF 45mm F1.2 STM

A compact f/1.2 prime lens that's ideal for exploring wide-aperture photography.

Best standard zoom lens for travel: Canon RF 24-105mm F4L IS USM

If you're restricted to one lens or need to travel light, then this lens should be the one you take. With a very versatile focus range, it also sports Canon's Nano USM autofocus for quiet and fast focusing, while the 5-stop Image Stabilizer increases to 8-stops when the lens is mounted on supported cameras with IBIS.

"The RF 24-105mm F4L IS USM is probably the lens you're going to use most of the time," says John. "It will give you speed and a good range – you'll be able to capture both portraits and landscapes very well. It's also a lens that offers good video performance with quiet and smooth autofocus. Many enthusiasts and professionals choose this lens because it's versatile and belongs to the prestigious L-series – so you have a useful and high-quality lens in one for landscape, portrait and everyday use."

As an f/4 zoom lens, it's lighter than the f/2.8 L-series zooms, which can be a real advantage for travel.

The Canon RF 24-105mm F4L IS USM.

Canon RF 24-105mm F4L IS USM

Featuring fast, silent autofocus and 5-stops of image stabilisation, this lightweight and versatile f/4 L-series zoom lens is a perfect travel companion.

There are alternatives if you don't need L-series performance in a standard zoom, though. Although it doesn't have the same telephoto reach, the RF 28-70mm F2.8 IS STM is a flexible standard zoom with a faster aperture and 5.5-stop optical image stabilisation, making it a good choice for low-light travel photography. If you're moving up to full frame camera with the EOS R8 Mark II, the RF 24-105mm F4-7.1 IS STM is a compact, lightweight zoom that covers a useful range for landscapes, portraits and all-day travel photography.

Photographed from above, a lone man fishes from a rocky outcrop above a choppy sea.

The Canon RF 100-500mm F4.5-7.1L IS USM lens is one of Ulla's go-to lenses when she travels because of its incredible focal length range. She used a long exposure to blur the wild seas below this lone fisherman. Taken on a Canon EOS R6 at 135mm, 1 sec, f/32 and ISO50. © Ulla Lohmann

Best super-telephoto wildlife zoom for travel: Canon RF 100-500mm F4.5-7.1L IS USM

The 100-500mm focal length range that the RF 100-500mm F4.5-7.1 L IS USM offers makes it ideal for bringing distant scenes closer, and is particularly useful if you're planning to photograph wildlife on your travels.

I hesitated before buying this lens, because I wanted the RF 70-200mm F2.8L IS USM," explains Ulla. "But for photographing from a distance, whether that's animals, birds or people, the RF 100-500mm F4.5-7.1 L IS USM is much, much better. I don't mind that it's only f/7.1 at 500mm, as you automatically have a fairly blurred background."

The IBIS in the EOS R8 Mark II and EOS R5 Mark II, combined with the IS in the lens makes it possible to use slower shutter speeds for more creative imagery when you're shooting handheld. The ISO range also enables you to use higher shutter speeds for fast action shots.

A more lightweight option that balances well with the compact EOS R8 Mark II is the RF 100-400mm F5.6-8 IS USM. Weighing just 635g and featuring a 5.5-stop Optical Image Stabilizer, it's comfortable to carry and offers excellent stability for handheld photos and video. It also pairs well with an APS-C camera like the EOS R10, where the 1.6x crop factor gives you a view equivalent to a 160-640mm lens on a full-frame camera.

For a dedicated APS-C telephoto travel lens, the RF-S 55-210mm F5-7.1 IS STM can extend your reach, with a full-frame equivalent focal length of 88-336mm, while weighing just 270g. Alternatively, the RF 24-240mm F4-6.3 IS USM offers the widest zoom range, giving you an equivalent focal length of 38-384mm when mounted on an APS-C camera.

The Canon RF 100-500mm F4.5-7.1L IS USM.

Canon RF 100-500mm F4.5-7.1L IS USM

The RF 100-500mm F4.5-7.1 L IS USM sports both 5-stop IS and L-series build quality, while delivering detail, clarity and exceptional telephoto performance.
Phil Hall and Marcus Hawkins
  1. Yaw, pitch, and roll image stabilisation performance, based on the CIPA 2024 standard with RF 24-105mm F2.8 L IS USM Z at a focal length of 105mm.
  2. Yaw, pitch, and roll image stabilisation performance is 7.5 stops at the center and 7.0 stops at the peripheral, based on the CIPA 2024 standard with RF 24-105mm F2.8 L IS USM Z at a focal length of 105mm.

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